Countdown (track) by John Coltrane
Countdown appears on the following album(s) by John Coltrane:
- Giant Steps (track #3) (this album) (1960)
- The Heavyweight Champion: The Complete Atlantic Recordings (track #13) (compilation) (1995)
- The Atlantic Years In Mono (track #3) (compilation) (2016)
- The Art Of John Coltrane / The Atlantic Years (track #3) (compilation) (1973)
Condition: Used
Condition: Used
Condition: Brand New
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Countdown ratings
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
Rating | Date updated | Member | Track ratings | Avg. track rating |
---|---|---|---|---|
12/22/2024 08:04 | brent13 | 7,791 | 85/100 | |
11/21/2024 13:43 | davidleewrong | 983 | 82/100 | |
07/14/2024 05:22 | matterhornrider | 20,580 | 86/100 | |
05/04/2024 10:31 | LT228 | 2,300 | 86/100 | |
05/04/2024 10:18 | LT22 | 2,465 | 86/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 4% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 82.1/100, a mean average of 82.2/100, and a trimmed mean (excluding outliers) of 82.6/100. The standard deviation for this track is 11.0.
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Countdown comments
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Aside from his construction and performance of the album’s title track, Countdown is one of the album’s best examples of Coltrane’s leveling up around this time on a technical level.
Heard this track compared to Van Halen’s Eruption on a podcast recently, made a lot of sense.
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