Hey Ya! (track) by OutKast
Year: 2003
From the album Speakerboxxx/The Love Below (track #28)
Hey Ya! appears on the following album(s) by OutKast:
- Speakerboxxx/The Love Below (track #28) (this album) (2003)
Price
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Condition: Used
eBay
Condition: Brand New
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Listen to Hey Ya! on YouTube
Hey Ya! ratings
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
100/100  | 11/22/2024 04:40 | frankoceanlover | | 85/100 |
100/100 | 11/14/2024 18:29 | C0NB9NN | | 88/100 |
85/100 | 09/18/2024 01:51 | Toffuey | | 85/100 |
80/100 | 08/13/2024 05:30 |  ChlebHead | | 86/100 |
100/100 | 07/27/2024 20:18 | alexandermause | | 85/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 1% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 91.1/100, a mean average of 90.8/100, and a trimmed mean (excluding outliers) of 91.6/100. The standard deviation for this track is 10.7.
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Squonk007 05/17/2022 11:09
Not a fan of this genre of music but this isn't a bad listen.
Saradominsm 08/02/2017 19:30
Incredibly vibrant, fun track
DeusExMackia 04/04/2017 10:35
One of the few times where new music has borrowed the sound of an old genre and actually worked really bloody well.
Reminiscent of those pop soul/funk songs from the 70s that you think you know, yet also thoroughly new. The result? A contemporary dance masterpiece that never fails to please.
Despite its old origins, it's become a staple of the early-noughties and rightly so.
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