Breathing (track)
by Kate Bush
Breathing appears on the following album(s) by Kate Bush:
- Never For Ever (track #11) (this album) (1980)
- The Whole Story (track #4) (compilation) (1986)
- This Woman's Work: Anthology 1978-1990 (track #100) (compilation) (1990)
Condition: Used
Condition: Used
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Breathing ratings
Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
| ! | 11/11/2025 12:13 | Exist-en-ciel | 17,159 | 69/100 |
| ! | 09/05/2025 14:25 | byuzak | 32,605 | 78/100 |
| ! | 06/09/2025 05:34 | Invader666 | 389 | 75/100 |
| ! | 01/10/2025 03:37 | bonnequestion | 15,942 | 75/100 |
| ! | 09/16/2024 18:49 | 33,942 | 76/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 1% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 86.6/100, a mean average of 87.6/100, and a trimmed mean (excluding outliers) of 87.6/100. The standard deviation for this track is 9.3.
Breathing favourites
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Breathing comments
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Agree with deusexmackia , utterly haunting and one of her very best songs. written, produced and performed impeccably.
One of Bush's most haunting works. Of all the ways to go about an anti-war song, this is stark. Something about the uncertainty in those piano chords that really hits the mark; the overall acuteness of the soundscape and her jarring words just oozes creepiness and dystopia.
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