Guest House (track) by Daughters
Year: 2018
From the album You Won't Get What You Want (track #10)
Guest House appears on the following album(s) by Daughters:
- You Won't Get What You Want (track #10) (this album) (2018)
Upcoming concerts
Listen to Guest House on YouTube
Guest House ratings
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
5/100  | 05/09/2024 06:56 | jamiroquai | | 33/100 |
35/100 | 12/29/2023 16:19 | gmessian | | 48/100 |
60/100 | 08/26/2023 08:58 |  DommeDamian | | 52/100 |
90/100 | 07/10/2023 09:15 | EP | | 84/100 |
80/100 | 06/24/2023 19:48 | Jamie | | 73/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 1% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 88.0/100, a mean average of 87.0/100, and a trimmed mean (excluding outliers) of 88.8/100. The standard deviation for this track is 15.4.
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Guest House comments
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This track has so much fucking power and energy, it’s so ridiculously over the top and horrifyiny, EVERYTHING it uses to have more aggression it takes to the maximum. There’s absolutely no limits to this song whatsoever, it’s fucking INSANE. THE KNOCKING AND KNOCKING AND KNOCKING AND KNOCKING LET ME IIIIN. I’ve barely ever heard a human being with that much dedication to sounding traumatized on a track. It just feels so real. It puts me in the singer’s shoes.
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