Drive-In Saturday (track) by David Bowie
Year: 1973
From the album Aladdin Sane (track #3)
Drive-In Saturday appears on the following album(s) by David Bowie:
- Aladdin Sane (track #3) (this album) (1973)
- The Singles Collection (track #8) (compilation) (1993)
- The Best Of David Bowie 1969/1974 (track #11) (compilation) (1997)
- VH1 Storytellers (track #7) (2009)
- Nothing Has Changed (track #44) (compilation) (2014)
- Legacy (track #11) (compilation) (2016)
- Something In The Air (Live Paris 99) (track #9) (2020)
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Condition: Used
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Drive-In Saturday ratings
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
80/100  | 02/29/2024 07:19 | zsolti | | 80/100 |
80/100 | 02/29/2024 05:45 |  DriftingOrpheus | | 76/100 |
65/100 | 02/09/2024 12:29 | habibi333 | | 62/100 |
80/100 | 11/16/2023 03:33 |  imacgill | | 81/100 |
85/100 | 11/16/2023 00:56 | morphee | | 87/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 2% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 84.9/100, a mean average of 85.0/100, and a trimmed mean (excluding outliers) of 85.3/100. The standard deviation for this track is 10.2.
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In the mid-70s a nostalgia craze for the 50s immerged spurred on by the film American Graffiti and the tv show Happy Days. Bowie provides another variation on 50s doo-wop similar to Soul Love from Ziggy. This one's even better . With futuristic lyric, spacey background noises, and a great great chorus.
The starting point for the lyrics is a very original and strong story that - as is often the case with Bowie - is situated in the future. People who no longer know how to make love and, to find out, go and watch films from the past. The story is so strong that a scenario is being delivered for a film with existential accents. Bowie was such a special musician, or rather: a visionary artist who was far ahead of his time.
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