Right From Real (studio album) by Lydia Ainsworth
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Lydia Ainsworth bestography
Right From Real is ranked as the best album by Lydia Ainsworth.
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Right From Real track list
The tracks on this album have an average rating of 77 out of 100 (all tracks have been rated).
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Right From Real rankings
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Right From Real collection
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Right From Real ratings
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av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
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Showing latest 5 ratings for this album. | Show all 15 ratings for this album.
| Rating | Date updated | Member | Album ratings | Avg. album rating |
|---|---|---|---|---|
40/100  | 03/05/2023 22:23 |  Igtonumama | | 60/100 |
70/100 | 03/10/2021 02:16 | Moondance | | 72/100 |
75/100 | 12/03/2019 20:39 |  kynes | | 79/100 |
75/100 | 11/13/2019 10:04 |  Purplepash | | 75/100 |
75/100 | 11/11/2019 13:30 |  guzguzgarbit | | 71/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some albums can have several thousand ratings)
This album has a Bayesian average rating of 72.2/100, a mean average of 72.0/100, and a trimmed mean (excluding outliers) of 72.0/100. The standard deviation for this album is 13.0.
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buzzdainer 09/25/2019 23:25
Writing for Pitchfork, Patric Fallon describes Lydia Ainsworth on Right from Real in this way: "It's still difficult to discern Ainsworth's concrete artistic identity. She's a formally trained singer, musician, and composer with an interest in Baroque art, who also refers to contemporary dance choreographers as "genius"; she's an artist who performs her music flanked by a violinist and a cellist, but has no problem adding a live snake into her onstage arrangement; her songs rely as much on the delicate '80s pop of Peter Gabriel's So as they do 19th century choral music and Bulgarian folk singing." That's a pretty clear summary of what makes this album both genuinely enjoyable and a bit of a jumbled, puzzling listen, since the album never really coheres into a style that draws from each of these traditions. Rather, it's more of a generally appealing kitchen sink approach.
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