The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert At Philharmonic Hall (live album) by Bob Dylan
Condition: Acceptable
Condition: Brand New
Condition: Very Good
Bob Dylan bestography
The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert At Philharmonic Hall is ranked 35th best out of 78 albums by Bob Dylan on BestEverAlbums.com.
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The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert At Philharmonic Hall track list
The tracks on this album have an average rating of 76 out of 100 (all tracks have been rated).
The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert At Philharmonic Hall rankings
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The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert At Philharmonic Hall collection
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The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert At Philharmonic Hall ratings
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Rating | Date updated | Member | Album ratings | Avg. album rating |
---|---|---|---|---|
04/21/2024 06:59 | Tuur | 931 | 67/100 | |
03/01/2024 00:04 | traistboar | 944 | 81/100 | |
04/07/2023 12:13 | melisandre | 1,283 | 77/100 | |
02/13/2023 03:23 | Moondance | 17,567 | 72/100 | |
02/03/2023 01:34 | Rhyner | 1,558 | 60/100 |
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This album is rated in the top 4% of all albums on BestEverAlbums.com. This album has a Bayesian average rating of 76.7/100, a mean average of 74.6/100, and a trimmed mean (excluding outliers) of 77.3/100. The standard deviation for this album is 18.2.
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The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert At Philharmonic Hall comments
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Dylan's Halloween parade sees Bob at the top of his early game. Dylan sounds confident, and maybe a little stoned too, as he reels off one classic after another. This was originally meant to be released as a live album during the early part of his career, but was obviously later shelved. But here it is, finally, a brilliant concert. The polite applause is certainly something you wouldn't get these days, so it really is a product of it's time. Dylan's pre-electric peak.
This is a 2 disc live recording of a performance from Halloween 1964. This is the greatest live album or document I have heard from the folk years of Dylan... by far. It captures Dylan at his most relaxed, insouciant best. The back and forth between the crowd and him just makes this whole album, as an album, so special and soothing and cool. Just imagine going and seeing Dylan live in this important and transitory phase of his career when he was already a hero at the top of his game yet at the same time was working on stretching the boundaries of songwriting, that is what this is.
You can hear that while Dylan still performed his earlier songs well and professionally, most of his intention and intensity was really coming through on his brand new material. His renditions of "It's Alright Ma (I'm Only Bleeding)", "Gates of Eden" and others (the material that was to be released a few months later on "Bringing It All Back Home") sound so different than his earlier songs. I imagine the people in the crowd hearing these songs were just blown out of there heads! The songwriting here still sounds absolutely towering and unmatched to this day!
A brilliant album! Even the unwelcome appearence of the annoying Joan Baez in the final tracks can't stop this from being a must-listen for anyone interested in the greatness of early Dylan.
Grade: 91/100
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